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Forster is no slouch either, though some of the big choruses are on the slow side. The soloists are finely matched, and Harry Christophers directs stylishly. by slofstra » Tue Apr 15, 2008 8:49 pm, Post What are the chances of that? The best examples of Haydn's gloriously imaginative and enduringly popular oratorio, The Creation, on disc January 1, 2021 at 8:33 am The best recording of Haydn’s Creation Paul McCreesh (conductor) Sandrine Piau (soprano), Miah Persson (soprano), Mark Padmore (tenor), Peter Harvey (baritone), Neal Davies (bass); Gabrieli Consort & Players Elisabeth Grummer (soprano), Josef Traxel (tenor), Gottlob Frick (bass)Der Chor der St. Hedwigs-Kathedrale Berlin & Die Berliner Symphoniker, Karl ForsterWarner Classics 723 5442. Haydn's masses are wonderful. DDD. Here is what Robbins Landon says: "Haydn spent almost the whole of 1797 and 1798 on the composition of The Creation. Agree about Nelson Mass (Missa in Angustiis). References to shortcomings and mistakes in the attribution or arrangement of documents are welcome at any time. Since I see this was started a while back, did you buy a CD, ↳   ARCHIVED: Classical Music Chatterbox May 2006 to Feb 26 2007, ↳   ARCHIVED: Corner Pub May 2006 to Feb 26 2007, ↳   ARCHIVED: Classical Music Chatterbox August 2005 to May 31, 2006, ↳   ARCHIVED: Corner Pub August 2005 to May 31, 2006, ↳   ARCHIVED Classical Music Chatterbox March-August 05. by Chalkperson » Sun May 18, 2008 3:41 pm, Post by Lance » Mon Oct 20, 2008 11:59 pm, Post The present regulations are subject to modification, I wanted to bring up this thread again because I have been listening to a "cheapy" two-CD set of excerpts from Haydn's. by TopoGigio » Thu Jun 05, 2008 12:25 pm, Post You mean if I got this one, I would have a top notch recording that neither chalkie or lance own. Conversely, I should add one on non-period, but I'll want to see either the Concertgebouw or Philips involved. This performance of Haydn's Creation is top notch. 66. by Wallingford » Sun May 18, 2008 4:38 pm, Post Confronted with an inaccurate, unpoetic text and some awkward text setting, conductor Paul McCreesh set about to create a new English translation that fit the composer's musical syntax. It comes from the most famous of the New World’s period ensembles, led by their irrepressible music director, Martin Pearlman. If what you want is Hadyn filtered through the late nineteenth century, this is a fine performance, and the singers and orchestra are the very best. by Lance » Sun May 18, 2008 10:17 am, Post The Handel and Haydn Society of Boston gave the North American premiere of The Creation 200 years ago, and this live performance from 2015 shows the society to be still in prime fettle. Recommended recording: Gabrieli Consort & Players/Paul McCreesh DG Archiv 477 7361 And in this seminal 2006 recording, Paul McCreesh employed a similar number. by Lance » Thu Apr 17, 2008 1:49 pm, Post An icon used to represent a menu that can be toggled by interacting with this icon. ... but with so much competition readily available it’s just not the best you can do. McCreesh modified the English text for this recording to address its acknowledged errors and infelicities. One of my favorite recordings of about half of the string quartets is Mosaiques … (sung in German) Sun Hae Im (soprano), Jan Kobow (tenor), Hanno Müller-Brachmann (bass) VokalEnsemble Köln, Capella Augustina, Andreas Spering. Re: Haydn's "The Creation" - best CD recordings? An excellent choice if you favour modern instruments and truly timeless solo singing. I still like the recording on which I first heard the piece, DG's monaural version (then on American Decca) with the Berlin Philharmonic conducted by Igor Markevitch - an unlikely choice, perhaps, but a good one as it turns out - with Irmgard Seefried, Richard Holm, Kim Borg, and the St. Hedwig's Cathedral Choir doing the singing. by Gary » Sat Apr 19, 2008 6:13 am, Post While there are quite a few recordings, this is certainly NOT an overly recorded composition. Post by Lance » Tue Apr 15, 2008 7:41 pm Believe-it-or-not, I'm looking to acquire a CD recording of Haydn's great oratorio, The Creation (Die Schöpfung). Symphony No. I have several on LP, one on CD (mono only). HAYDN The Creation Sandrine Piau, Miah Persson, sopranos; Mark Padmore, tenor; Peter Harvey, baritone; Neal Davies, bass; Chetham's Chamber Choir, Gabrieli Consort of Players; Paul McCreesh Archiv 477 7361 (2 CDs). Your 'hot spot' for all classical music subjects. Sarah Tynan (soprano), Jeremy Ovenden (tenor) & Matthew Brook (bass-baritone)Handel and Haydn Society/Harry ChristophersCoro COR16135. He also scores by hiring separate soloists for Eve and Adam, parts often doubled by the soprano and bass who sing the archangels Gabriel and Raphael. DES HERREN RUHM, ER BLEIBT IN EWIGKEIT! 2008. by TopoGigio » Tue Oct 21, 2008 8:19 am, Post I have several. SURPRISE! Offer,Haydn: The Creation. Joseph Haydn Part 2 - And the Spirit of God. ‘Rollend in schäumenden Wellen’, for instance, lumbers in a proto-Wagnerian fashion, while the concluding ‘Singt dem Herren’ courts virtual stasis. by Espri » Tue Jun 03, 2008 3:03 pm, Post 1732 – 1809. Live multi-camera recording of a concert featuring Haydn Creation. Take scholar/pianist Charles Rosen, for example. Taking in more Haydn & Handel is an issue I've long been dealing with. by TopoGigio » Mon May 19, 2008 12:17 pm, Post 24 FLAC Discount 2 CDs. I tend to prefer HIP recordings for Haydn, so my vote goes for Pinnock. Even for a benevolent group, these things can get way out of hand. by Chalkperson » Tue Apr 15, 2008 5:33 pm, Post Access to the Foundation may be limited or revoked at any time without expressed reason. Haydn’s Creation – Soprano Chorus Rehearsal Aid. Haydn composed this supreme choral masterpiece late in his career. The sound is vivid too, especially in high-resolution download format. About 180 performers participated in the Viennese premiere of The Creation. This Berlin recording (of the German text of The Creation) was made nearly 60 years ago, long before the period instrument movement caught up with Haydn. Miah Persson and Peter Harvey repay the investment with a fresh, bright account of their duet ‘Graceful consort’. Purchase on Amazon 94 (‘Surprise’) That super-loud chord in the second movement! The Creation (German: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn (Hob. Welcome to the new Classical Music Guide Online Forums! Buy this recording from the following outlets: Sun Hae Im (soprano), Jan Kobow (tenor), Hanno Müller-Brachmann (bass)VokalEnsemble Köln, Capella Augustina/Andreas SperingNaxos 8.557380-81. You can unsubscribe at any time. Haydn String Quartets, op. by slofstra » Tue Apr 15, 2008 4:15 pm, Post This one, from 2003, fits the bill impressively. The closing chorus – ‘Praise the Lord, uplift your voices!’ in McCreesh’s rendering – caps the performance gloriously, the choir exhilaratingly uninhibited and unanimous despite their number, the soloists communicating an infectious enthusiasm at the ‘new-created world’ around them. Save when you subscribe today and get your magazine + CD delivered direct to your door from the UK! Documents must be left in the order in which they were found, even if the user discovers this order to be incorrect. Joseph HAYDN (1732-1809) The Creation (sung in German) (1798) [96:09] Amanda Forsythe (soprano) ... [69:22 + 27:21] This delicious new recording of The Creation is a real treat. SOPRANO VOICE EMPHASISED – ALL OTHER VOICES DIMINISHED: Joseph Haydn Part 2 - And the Spirit of God. The London Symphonies, Vol 1 (Nos 95, 96, 98, 102, 103, 104) Haydn composed twelve London Symphonies and several of them are among his best works. It is extremely clear and easy to understand especially the chorus. Alfred Brendel’s 4 CD set of Haydn’s best Piano Sonatas is a staple of the piano recording history and should be in any Haydn or piano lover’s library. Anyway, what few recordings I have of Paul Sacher have been memorable, especially his collaborations with Clara Haskil, Dinu Lipatti, Maurice André, and Mstislav Rostropovich. Good music is that which falls upon the ear with ease, and quits the memory with difficulty. The 1960's Karajan-Berlin Philharmonic DG set with Fischer-Dieskau, and Wunderlich is my favorite. by TopoGigio » Sun May 18, 2008 12:30 pm, Post This extraordinary recording of Haydn's The Creation may just be Christopher Hogwood's best release of anything. by sfbugala » Wed Apr 30, 2008 12:26 am, Post by Chalkperson » Thu Apr 17, 2008 1:08 pm, Post I can't really specify a favourite, as it's not a work I know at all. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The first of Herbert von Karajan’s two commercial recordings of The Creation is famous for its stellar soloists, particularly the superlative tenor Fritz Wunderlich. The Creation is some of the best music written by Haydn at the height of his powers. by Espri » Fri Jun 06, 2008 3:29 am, Post At least you should have one on period instruments as well. 2821. Consequently, and rightly, the English version has been considered inferior and is rarely used. Performed on period instruments with an excellent choir and fresh-toned soloists, Spering’s interpretation is zesty and rhythmic, with plenty of intelligent detailing. Review by: David Hurwitz. I have lots of Münchinger and have never been disappointed. by Lance » Tue Apr 29, 2008 9:18 pm, Post XXI:2), and considered by many to be one of his masterpieces. It is becoming increasingly fashionable to claim that The Seasons contains a higher proportion of top rate Haydn than The Creation. I don't have that one, but based on my knowledge of Münchinger's Bach's works in that marvelous 10-CD Decca CD boxed set [455.783], his Haydn "The Creation" would be extraordinary. Sign in to manage your newsletter preferences. It is Robert Shaw's and Alice Parker's revised translation of the libretto, probably the best translation available. Haydn’s The Creation Considered as one of Joseph Haydn’s most profound classical works, The Creation will have Durban audiences in good cheer at the Playhouse Company’s Grand Opera Theatre this festive season on the 20th of December at 15h00 for only one spectacular performance open to the public. He wrote it towards the end of his life (between 1796 and 98), having spent the previous forty years gaining international popularity with his symphonies, quartets and keyboard sonatas. It will come as a shock to anyone who knows, and has been disappointed by, his anemic interpretations of the symphonies. by TopoGigio » Mon May 19, 2008 9:29 pm, Post There’s some splendid singing, but overall a sense of joy is missing. Non-classical music subjects are to be posted in the Corner Pub. Buy Now from Arkiv Music Recording Details: Reference Recording: Hogwood (L'Oiseau Lyre), Spering (Naxos), McCreesh (Archiv) JOSEPH HAYDN - The Creation. by Lance » Tue Apr 15, 2008 7:05 pm, Post Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Werner Krenn, Walter Berry, Dietrich Fischer-DieskauWiener Singverein & Berliner Philharmoniker, Herbert von KarajanDG 4497612. Nicholas Parker, prod. Haydn’s Creation – Soprano Chorus Rehearsal Aid. Haydn's "The Creation" - best CD recordings? Recording of the Week, Stunning new Haydn Creation from Paul McCreesh. Already have an account with us? Believe it or not, the cheap Vanguard is the "correct" answer... As I listened to THE CREATION and THE SEASONS for the first time, back in 1970-72, I could not keep from crying as FJH kept presenting one unforgettably catchy tune after another, each new one better than the one before. Post Click here to subscribe to BBC Music Magazine, reviews of the latest Haydn recordings here, Simon Rattle to leave the London Symphony Orchestra for the Bavarian Radio Symphony Orchestra, The best opera recordings released on CD and DVD in 2021 so far, The best classical albums released in 2020. Haydn's "The Creation" - best CD recordings? by TopoGigio » Thu Apr 24, 2008 9:43 am, Post For the Nelson Mass, I have two recordings - the previously mentioned recording by Willcocks, and then I also have Trevor Pinnock's recording. by slofstra » Fri Apr 18, 2008 4:39 pm, Post Haydn: Creation/Christie. by TopoGigio » Sun May 18, 2008 4:36 am, Post Haydn The Creation. The skull story is pretty interesting, we had a thread about it sometime ago...so Topo, you love searching our vaults so see if you can find it... At this late stage in my life, I'd get along just as well with the old 2-LP Bernstein set (doubtless, it's long since reen reissued on CD). by Lance » Tue Apr 15, 2008 2:41 pm, Post by Lance » Fri Apr 18, 2008 9:18 pm, Post His binding together of choir, soloists and orchestra is masterly, and his sharp, incisive instincts for 18th-century idiom are refreshingly free of the tics and mannerisms that most of the rival period instrument versions exhibit. The best examples of Haydn's gloriously imaginative and enduringly popular oratorio, The Creation, on disc, Paul McCreesh (conductor) Sandrine Piau (soprano), Miah Persson (soprano), Mark Padmore (tenor), Peter Harvey (baritone), Neal Davies (bass); Gabrieli Consort & PlayersDeutsche Grammophon 477 7361. Let every thing that has breath praise the Lord! Read more reviews of the latest Haydn recordings here, Find out more about Haydn and his works here. by John F » Tue Oct 21, 2008 7:14 am, Post The Houston Symphony announced today the international release of the live recording of Haydn-The Creation on the Dutch classical music label Pentatone. Could be the Sacher Foundation lays low to avert countless peoples and art groups/composers, etc., coming to them for monetary support. Live recording of Haydn - Creation. My favorite recording of the Paris Symphonies is Harnoncourt wiht the Concentus Musicus Wien on DHM: 81JQwWSILdL._SX522_.jpg This one is terrific too - but apparently out of print: 61jyCxHfHlL._SS500.jpg My favorite recording of the London symphonies is Sigiswald Kuijken with Le Petit Bande on DHM. Telarc 80298 - Robert Shaw/Atlanta Symphony (in English), Phonographe 5029/30 - Clemens Krauss/Vienna Philharmonic (r. 1942), Philips 446.175 - Eugen Jochum/Bavarian Radio Orchestra, DGG 449.761 - Herbert von Karajan/Berlin Philharmonic. The Haydn 2032 project from Giovanni Antonini and Il Giardino Armonico take a break from their ongoing symphony cycle (shared with the Kammerorchester Basel) into a slightly different territory, with a recording of “Die Schöpfung” (“The Creation”). But Karajan’s approach to the score often has a juggernaut-like quality which seems pompous and grandiose compared to rival versions. That actually helps to clarify Haydn’s intricately interwoven choral writing further, and little is lost in terms of communicative impact. I was disappointed in Boston Baroque’s recording of Cherubini’s C-Minor Requiem (Fanfare 30:5), but this Creation has, from its orchestral introduction, an essential rightness—of mood, sonority, drama, and tempo.As with Dinu Lipatti’s Schumann Concerto (the first time I experienced such a feeling), this is the way it should go. by Sylph » Tue Oct 21, 2008 8:42 am, Post If you find a recording that foregrounds the continuo in that closing Presto, this is a right belter. by Sylph » Tue Oct 21, 2008 1:33 pm, Post The orchestral playing is gracefully pointed, and the stereo sound is satisfyingly full-bodied. But ultimately it is Paul McCreesh himself who takes the laurels for this virtually definitive performance. By entering your details, you are agreeing to Classical Music terms and conditions and privacy policy. This popular and approachable work has incarnations in both German and English, having been published in 1800 in both languages. His version is graceful and elegant, and sounds completely natural -- it could easily become the standard English version. The choirs of the Gabrieli Consort and Chetham’s Chamber Choir totalled 91 singers, and the period instrument orchestra included double trumpets and timpani, plus triple woodwind. It is a deeply spiritual performance. by Chalkperson » Sat Apr 19, 2008 12:30 am, Post by dulcinea » Tue Apr 29, 2008 1:18 pm, Post by slofstra » Tue Apr 15, 2008 4:19 pm, Post by slofstra » Thu Apr 17, 2008 12:28 pm, Post It was this retranslation (which was in fact full of inaccuracies and grammatical errors) that Handel used in creating alternate text settings when the two languages couldn't be musically reconciled. This is partly because the surviving English libretto is a rather stilted translation from the German, and McCreesh has "fine-tuned" it for this recording. In writing The Creation, Haydn referred mainly to the German version of the words, so it’s arguable that every collection needs a recording in that language. Listen to a special binaural recording of a live performance from the BBC Proms 2019. Joseph Haydn: The Creation - As Kapellmeister to Prince Esterházy, Haydn composed numerous instrumental works and various operas, as well as making important contributions to the genre of church music, including fourteen Latin masses, of which only twelve are authentic or complete; these are complemented by motets and offertories, two important Te Deum settings, two Salve Reginas, a … Haydn had both German and English texts of the libretto before him when he wrote The Creation. by Chalkperson » Tue Apr 15, 2008 3:33 pm, Post Haydn ’s vivid musical portrait of the Biblical creation story up to the creation of Adam and Eve is direct yet charmingly apt. At the same time, no other performance of The Creation is as full of such nuance and colouristic variety. ; Jonathan Stokes, eng. Video mix was done live and projected onto a large screen above the performers. Tenor Mark Padmore (as Uriel) matches Davies in verbal acuity, and soprano Sandrine Piau is a vibrant Gabriel. TT: 108:56 Performance ***** Sound ***** Between 1796 and 1798, when Haydn composed The Creation… Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. He brings a lifetime of knowledge and a true affinity to these works, rarely surpassed on other versions. by stenka razin » Tue Apr 15, 2008 4:13 pm, Post by Lance » Sat May 17, 2008 8:52 pm, Post by Lance » Mon May 19, 2008 8:32 pm, Post Once again showing Haydn’s penchant for brevity when necessary, this 15 minuter still only comes to life in the finale. The results are magnificent, recreating the kind of visceral impact which made The Creation’s early performances a sensation. The recording itself is excellent. http://en.wikipedia.org/wiki/The_Creation_%28Haydn%29, http://www.encyclopedia.com/doc/1G1-140446166.html?Q=, http://www2.deutschegrammophon.com/spec ... eesh-haydn. And yet it has a glowing authenticity all its own, not least because of its wonderfully ripe-toned, expressive soloists. Seefried alone, in her prime and at her best as the (literally) angelic Gabriel and as Eve, would make the recording a must-hear, but it has a lot more to offer as well. 46. No libretto is included, but at budget price that’s forgivable, and you can easily find one on the internet. Haydn was adamant, though, that The Creation should be sung in the language of its listeners, and approved translations into a number of languages. www.smce.org.uk. Haydn - The Creation (Monteverdi Choir/English Baroque Soloists/ John Eliot Gardiner) John Eliot Gardiner manages to coax out the sinewy intensity of the opening from one of Haydn's most free-form and experimental works. Involving and immersive stuff. You probably know how much I like Tafelmusik in general and this is one of my favourite recordings period: Lance, could you actually settle for only one recording? The huge majority of recordings of the Creation are sung in German, although Haydn conceived it as a work to be sung in either German or English. The Frieburger Barockorchestra and conductor René Jacobs, who were not at their best in their recent Mozart Symphony recording, sound absolutely at home in Haydn, playing with full vigor and sublime expression in this overwhelming oratorio. by Sylph » Tue Oct 21, 2008 8:31 am, Post In using period instruments and the English text it is an obvious rival to McCreesh’s version, but with a more typical complement of performers (about 90). by Bösendorfer » Wed Apr 16, 2008 11:22 pm, Post Jochum had some of the finest singers of the 1950s performing as soloists (the recording was made at a live performance on April 28, 1951 in Munich). Take Raphael’s recitative ‘Straight opening her fertile womb’, which is a masterclass in intelligent pacing and word-painting from bass Neal Davies, vividly illustrated by the orchestra’s semaphored imitations of earth’s various creatures as they come into being. Recorded in Cologne … The best recordings of Bach's Brandenburg Concertos; The Creation. by Lance » Tue Oct 21, 2008 1:47 pm, Users browsing this forum: No registered users and 54 guests. Believe-it-or-not, I'm looking to acquire a CD recording of Haydn's great oratorio. by Chalkperson » Tue Apr 15, 2008 10:08 pm, Post by Chris O'Reilly. The great cry of ‘light’ in the work’s opening paragraph is predictably incandescent, and across the performance the choruses bristle with a freshness and natural energy symbolic of the process of creation itself. ‘Awake the harp’ bursts into life, its fugal argument invigorating, while ‘The heavens are telling’ gathers a tremendous cumulative excitement. Alleluya! Haydn’s stupendous, joyous and uplifting oratorio Die Schöpfung (The Creation) is thrillingly brought to life in this recording with Andrés Orozco-Estrada conducting the Houston Symphony, with the Houston Symphony Chorus and the acclaimed operatic soloists Nicole Heaston, Toby Spence and Peter Rose. The Creation is quite possibly Haydn’s single greatest achievement. (The original, anonymous libretto was in English; Gottfried van Swieten translated it into German and then retranslated it back into English.) by Lance » Tue Apr 29, 2008 12:05 am, Post The Foundation's holdings must be handled with great care. Screen above the performers ‘awake the harp’ bursts into life, its argument. Rate Haydn than the Creation is as full of such nuance and colouristic variety,... Visceral impact which made the Creation’s early performances a sensation single greatest achievement oratorio depicts celebrates... 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