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haydn creation best recording

12.01.2021, 5:37

Haydn’s The Creation Considered as one of Joseph Haydn’s most profound classical works, The Creation will have Durban audiences in good cheer at the Playhouse Company’s Grand Opera Theatre this festive season on the 20th of December at 15h00 for only one spectacular performance open to the public. The recording itself is excellent. Already have an account with us? It is a deeply spiritual performance. The choirs of the Gabrieli Consort and Chetham’s Chamber Choir totalled 91 singers, and the period instrument orchestra included double trumpets and timpani, plus triple woodwind. by Sylph » Tue Oct 21, 2008 1:33 pm, Post The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. ‘Awake the harp’ bursts into life, its fugal argument invigorating, while ‘The heavens are telling’ gathers a tremendous cumulative excitement. McCreesh modified the English text for this recording to address its acknowledged errors and infelicities. This one, from 2003, fits the bill impressively. His version is graceful and elegant, and sounds completely natural -- it could easily become the standard English version. The best examples of Haydn's gloriously imaginative and enduringly popular oratorio, The Creation, on disc, Paul McCreesh (conductor) Sandrine Piau (soprano), Miah Persson (soprano), Mark Padmore (tenor), Peter Harvey (baritone), Neal Davies (bass); Gabrieli Consort & PlayersDeutsche Grammophon 477 7361. The sound is vivid too, especially in high-resolution download format. Sarah Tynan (soprano), Jeremy Ovenden (tenor) & Matthew Brook (bass-baritone)Handel and Haydn Society/Harry ChristophersCoro COR16135. Since I see this was started a while back, did you buy a CD, ↳   ARCHIVED: Classical Music Chatterbox May 2006 to Feb 26 2007, ↳   ARCHIVED: Corner Pub May 2006 to Feb 26 2007, ↳   ARCHIVED: Classical Music Chatterbox August 2005 to May 31, 2006, ↳   ARCHIVED: Corner Pub August 2005 to May 31, 2006, ↳   ARCHIVED Classical Music Chatterbox March-August 05. ; Jonathan Stokes, eng. Haydn’s Creation – Soprano Chorus Rehearsal Aid. Your 'hot spot' for all classical music subjects. ‘Rollend in schäumenden Wellen’, for instance, lumbers in a proto-Wagnerian fashion, while the concluding ‘Singt dem Herren’ courts virtual stasis. By entering your details, you are agreeing to Classical Music terms and conditions and privacy policy. The skull story is pretty interesting, we had a thread about it sometime ago...so Topo, you love searching our vaults so see if you can find it... At this late stage in my life, I'd get along just as well with the old 2-LP Bernstein set (doubtless, it's long since reen reissued on CD). XXI:2), and considered by many to be one of his masterpieces. I have several on LP, one on CD (mono only). It is Robert Shaw's and Alice Parker's revised translation of the libretto, probably the best translation available. His binding together of choir, soloists and orchestra is masterly, and his sharp, incisive instincts for 18th-century idiom are refreshingly free of the tics and mannerisms that most of the rival period instrument versions exhibit. by slofstra » Tue Apr 15, 2008 8:49 pm, Post by John F » Tue Oct 21, 2008 7:14 am, Post Forster is no slouch either, though some of the big choruses are on the slow side. by Lance » Tue Apr 15, 2008 7:05 pm, Post by Espri » Fri Jun 06, 2008 3:29 am, Post by Bösendorfer » Wed Apr 16, 2008 11:22 pm, Post Conversely, I should add one on non-period, but I'll want to see either the Concertgebouw or Philips involved. by Wallingford » Sun May 18, 2008 4:38 pm, Post Once again showing Haydn’s penchant for brevity when necessary, this 15 minuter still only comes to life in the finale. The Frieburger Barockorchestra and conductor René Jacobs, who were not at their best in their recent Mozart Symphony recording, sound absolutely at home in Haydn, playing with full vigor and sublime expression in this overwhelming oratorio. It comes from the most famous of the New World’s period ensembles, led by their irrepressible music director, Martin Pearlman. by Sylph » Tue Oct 21, 2008 8:42 am, Post Haydn's "The Creation" - best CD recordings? Non-classical music subjects are to be posted in the Corner Pub. Consequently, and rightly, the English version has been considered inferior and is rarely used. The orchestral playing is gracefully pointed, and the stereo sound is satisfyingly full-bodied. The Creation is some of the best music written by Haydn at the height of his powers. by TopoGigio » Thu Apr 24, 2008 9:43 am, Post Offer,Haydn: The Creation. At least you should have one on period instruments as well. In writing The Creation, Haydn referred mainly to the German version of the words, so it’s arguable that every collection needs a recording in that language. Haydn String Quartets, op. For the Nelson Mass, I have two recordings - the previously mentioned recording by Willcocks, and then I also have Trevor Pinnock's recording. At the same time, no other performance of The Creation is as full of such nuance and colouristic variety. Telarc 80298 - Robert Shaw/Atlanta Symphony (in English), Phonographe 5029/30 - Clemens Krauss/Vienna Philharmonic (r. 1942), Philips 446.175 - Eugen Jochum/Bavarian Radio Orchestra, DGG 449.761 - Herbert von Karajan/Berlin Philharmonic. Listen to a special binaural recording of a live performance from the BBC Proms 2019. (sung in German) Sun Hae Im (soprano), Jan Kobow (tenor), Hanno Müller-Brachmann (bass) VokalEnsemble Köln, Capella Augustina, Andreas Spering. by Lance » Sat May 17, 2008 8:52 pm, Post 2821. Recording of the Week, Stunning new Haydn Creation from Paul McCreesh. The Haydn 2032 project from Giovanni Antonini and Il Giardino Armonico take a break from their ongoing symphony cycle (shared with the Kammerorchester Basel) into a slightly different territory, with a recording of “Die Schöpfung” (“The Creation”). The first of Herbert von Karajan’s two commercial recordings of The Creation is famous for its stellar soloists, particularly the superlative tenor Fritz Wunderlich. 66. Find a recording that foregrounds the continuo in that closing Presto, this is certainly an! Is graceful and elegant, and sounds completely natural -- it could easily become the standard English.. Sarah Tynan ( soprano ), Jeremy Ovenden ( tenor ) & Matthew (. Least because of its wonderfully ripe-toned, expressive soloists miah Persson and Peter Harvey repay the investment with fresh. The finale projected onto a large screen above the performers or Philips.... 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